Uncensored rants about how tango and tango culture should and should not be all around the world, according to Jaimito el Zorro Gris
Monday, May 7, 2012
A new beginning
I wonder if there's a point of posting at all, since nobody reads this. Even I had forgotten about the existence of this blog. But I still think it's worth posting a reflection from my meeting with tango legend Miguel Angel Zotto. I've never seen any professional dancer so laid back, so relaxed, so tolerant, so humble, yet so confident, so mature, yet so youthful as Zotto. Most professional dancers are snobs, but the master of masters is pretty much the opposite of a snob. This was quite a surprise given the legendary status he has. If he is not a snob, then I have absolutely no ground on which to be a snob. I guess this was pretty obvious to everyone from the very start but me. I don't know if I can change the title of the blog, but even if I can't, the tone of the posts (rare as they are) will certainly change.
We had an interesting conversation about the codigos. Having seen him in person, I have realized that he encompasses all styles of Tango Argentino. He is a stage dancer, yet at the same time he is an old fashioned milonguero. To many, this is an oxymoron, but he converges at these two seemingly irreconcilable styles beautifully. His old fashioned self has great respect for the codigos of the milonga. Yet he stresses how the codigos should be upheld because of their usefulness, rather than arbitrarily only because it is tradition. Codigos exist for practicality; it should be adapted according to the times and circumstances - else the purpose is defeated.
I hope people learn not only his steps, but his wisdom from his age and experience.
Gracias, Miguel!
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